I just wanted to share my thoughts as a close observer of the arc of Jen's artistry. When we met five years ago, Jen showed me her photos from Swan Point Cemetery. Once I lowered my eyebrow after thinking of her alone, wandering through a cemetery, shooting photos (a thought that made me want to hug her), I really looked at the photos. Really looked at them. These weren't snapshots. They were good. Different. Artistic. I told her so. She told me the story of the phone call from her Aunt Linda (read Jen's post "The beginning").
A few years went by and we took a trip to Washington, D.C. We both packed our point-and-shoot digital cameras. I managed to snap blurry auto-focus shots of typical touristy things like the Hope Diamond and the Washington Monument (which is seemingly visible from every single vantage point in that city).
Wendy's blurry shot of The Hope Diamond |
Wendy's blurry photo of Jen with Fonzie's jacket in The Smithsonian. That's Jen's tiny digital point-and-shoot camera in her left hand (bandaged post-carpal tunnel surgery). |
Jennifer took interesting, artsy photos...
...of escalators and railings in the train station... |
...the airport concourse... |
...and the pathways and gardens near The Smithsonian. |
It was on that trip that I noticed that Jen sees things I don't. She
sees the world through the eyes of an artist.
Keep in mind that she was doing all of this with a low-res, auto-focus, fixed lens camera. I knew she needed a better camera and in December 2011, thanks to a zero interest credit promotion, I was able to get a decent camera in her hands.
Keep in mind that she was doing all of this with a low-res, auto-focus, fixed lens camera. I knew she needed a better camera and in December 2011, thanks to a zero interest credit promotion, I was able to get a decent camera in her hands.
And then she made the building I'd worked in for two years look like a work of art.
And before I knew it, the city I'd lived and worked in all my adult life was brand new to me and beautiful through the lens of Jennifer's camera.
In the 18 months since she's been shooting with an SLR digital, her artistry - there's just no other word for it - has developed exponentially. Yes, I'm biased, but if you're reading this blog, you love Jennifer's photography, too, so you know what I mean. She's just damned good and getting better all the time.
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